Country: U.S.A.
Genre(s): Action /
Adventure / Crime / Drama
Director: Alfred
Hitchcock
Cast: Cary Grant /
Eva Marie Saint / James Mason
Plot
A case of mistaken identity leads to
a cat-and-mouse chase with international spies across the country for New York
ad man Roger Thornhill.
What I Liked
I first saw “North By
Northwest” when I was probably eleven or twelve, and it remains one of my favorite
films of the pre-1960s era of film. A
colorful and fast-paced thriller that sends the audience on a winding trek
across the United States, this movie is one of Alfred Hitchcock’s most
action-packed and widely accessible masterpieces.
Cary Grant, one of
Hitchcock’s most oft used leading men, was perfectly cast as handsome and
sharp-witted New York advertising executive Roger Thornhill. Rewatching it for the first time in a couple
of years last week, I got the feeling that the writers of TV’s “Mad Men” had
Grant’s Thornhill in mind when they created the character of Roger
Sterling. Equally well cast is Eva Marie
Saint, whose seductive sensuality is never in question, even if her loyalties
are. Her character’s sexual confidence
and aggressiveness, bypassing innuendo for straight-up sexual invitations, is downright shocking for a film made in the 1950s.
Miss Saint’s risqué dialogue
isn’t the only facet of the film that was ahead of its time. “North by Northwest” also plays around
with the concepts of identity, individualism, and privacy in a way that one
would expect from a movie coming out today.
Thornhill loses his own identity as he becomes a pawn in a game of
deception played between the U.S. government and a foreign spy. His individual rights and safety compromised
by powers outside of his control, Thornhill at times embraces his anonymity to disappear
among the nameless crowds in train stations, hotels, and other public places, going
“off the grid” in modern parlance. Deep
down, this is a very paranoid vision of one person’s helplessness in an increasingly
impersonal world, but it is disguised in the identity of an exciting and
entertaining thrill ride.
What I Didn’t Like
Made in 1959, “North by
Northwest” at times feels like an awkward juxtaposition of two different eras of
filmmaking. Cary Grant was already a
living legend by this point, an icon of the silver screen whose career stretched
decades into the past to the heyday of the studio era. Meanwhile, as mentioned earlier, the film’s
sexual dialogue and paranoid themes reflect trends common to films made much
later. The jaunty quips written for
Grant come straight out of old school Hollywood and sometimes feel a bit out of
place amidst the very modern, very serious events happening around him. Still, if “North by Northwest” feels like a
film stuck between two eras, that’s because it was. The coming 1960s would be a period of great
change in American cinema, and director Alfred Hitchcock was one of those
visionaries who helped lead filmmaking out of the old and into the new.
Most Memorable Scene
This movie is filled
with some iconic action sequences that remain eye-catching and electrifying all
these years later. Their influence on
the later adventure epics by the likes of Lucas, Spielberg, and Cameron are
easy to recognize. None more so than the
scene where Grant is chased through corn fields by a dive-bombing crop duster
plane. The scene is fraught with tension
and suspense, leaving you wondering “How the hell is he getting out of this
one?” Even if the conclusion of the
sequence is a bit silly, it will always be the most famous moment of a very
famous film.
My Rating: 5 out of 5
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