Country:
France
Genre(s):
Comedy / Romance
Director:
Marc Caro / Jean-Pierre Jeunet
Cast:
Dominique Pinon / Marie-Laure Dougnac /
Jean-Claude Dreyfus
Plot
A butcher who serves up human flesh finds his next victim when his
daughter falls for the newest tenant in their apartment building.
What I Liked
With dazzling cinematography, distinctive set design, painterly color
schemes, and a quirky story, “Delicatessen” is as vibrant as motion pictures
get. A peculiar movie about even more
peculiar characters doing still more peculiar things, the film is soaked
through with idiosyncratic style yet never lets flash get in the way of the charming
heart of its characters. Laced delicately
between all the menacing cleavers, bug-eyed close-ups, and kooky gags are
moments of elegance, romance, and beauty.
Though each apartment contains some of the strangest characters I’ve ever
seen, they are portrayed so well by the actors that one suspends disbelief
without knowing it. That each character’s
apartment seems its own insular world with its own natural,
physical, and psychological laws endows the film with a sense of the fantastic,
where the audience wonders what sort of realm they will enter as the camera
jumps through doors and windows to spy on these terrifically eccentric tenants.
Flirting with and yet also breaking several genre molds at once, “Delicatessen”
is a hard film to categorize. Ultimately
it is an unorthodox presentation of a very human romance, but nearly every
scene has the twisted deviousness of the best dark comedies as well. Interspersed throughout all this are very
recognizable elements of fantasy, science fiction, and horror films. The filmmakers never commit to a genre,
instead preferring to carve out their own very distinctive niche to make their
film always surprising.
What I Disliked
Nothing. However, dark foreign
comedies that don’t easily fit into easily recognizable conventions may not be
something for everyone. So those of you
who like your movies no other way but straight forward have been warned.
Most Memorable Scene
In case I didn't make it clear enough, this entire movie is so unconventional
that pretty much every scene, from it’s totally bizarre opening to its
hilariously chaotic closing, brands itself on the brain. I also mentioned earlier that at times charm
and elegance punctuate the eye-popping style of the overall piece. One of those moments is when naïve good guy
Louison attempts to fix the springs of a buxom female tenant’s bed. The pair wind up sitting on the bed
side-by-side for a moment that not only perfectly characterizes the childlike
innocence of Louison but is so enchantingly well-choreographed that it deserves
equal regard with even Charlie Chaplin’s best moments.
My Rating: 5 out of 5
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