Country: U.S.A.
Genre(s): Action
Director: John
McTiernan
Cast: Bruce Willis / Alan Rickman / Bonnie Bedelia
Plot
New York cop
John McClane visits Los Angeles for Christmas, only to be trapped (along with
his estranged wife and her coworkers) inside a building taken hostage by
high-tech thieves.
What I Liked
It's the
1980s. The era of the blockbusters. Big budget fantasies and adventures like the
Star Wars, Superman, and Terminator series either began or continued in that
decade and they dominated the box office.
The heroes of these films were larger than life, sometimes invincible,
and often from another planet or time.
Then along comes John McClane, a tough-talking New York cop who isn't
looking to save the world or defeat an evil empire. All the guy wants to do is patch things up
with his estranged wife. When the bad
guys show up, does he go charging heroically in with no regard for his own
safety? Hardly. The whole film all McClane is really looking
to do is get the hell out of the building and call the police. Sure he pulls off a few death-defying stunts,
gets out of impossible situations with preposterous luck, and endures disabling
injuries to somehow emerge victorious. Hey, at least our hero can be injured. The bullets don't bounce off of him, nor do
the bullet holes heal themselves. John
McClane bleeds. A lot. In short, “Die Hard” must have been a welcome
change of pace, a bit subversive even, considering the action/adventure company
it kept in that decade.
Without any
super powers, space ships, or futuristic weaponry, the movie still manages to
prove itself enjoyable from the first frame to the last. The action is both brutal and suspenseful,
the macho dialogue fun, and the characters every bit as likable or hateable as
the filmmakers intended them to be.
With its witty banter, blood-soaked violence, and everyman hero, “Die Hard”
seems to even predict the bloodier, grittier, lower-budget trends that
directors like Quentin Tarrantino and Robert Rodriguez would exemplify in the action films of the next decade.
What I Didn't Like
As fresh as
the movie might have seemed in 1988, that doesn't mean that it still doesn't
rely on some boring conventions. This is
most noticeable in the characters not named John McClane. Most of the cold but calculating villains
have German accents, surprise surprise; the police and feds are clueless
buffoons too focused on bureaucracy and protocol to do anything but cause more
problems; and the TV reporter is a soulless weasel. Not exactly creative stuff there, but the
screenwriters weren't going for “Citizen Kane.”
They were writing an escapist popcorn flick complete with time-tested,
stock characters.
Most Memorable Scene
*spoiler alert!*
*spoiler alert!*
While the
multiple scenes featuring walkie talkie communicated dialogue between McClane
and arch-villain Hans Gruber are the most enjoyable moments of the film
overall, if one scene has to be picked for memorability it must be Gruber's
plummet down Nakatomi tower. Shot from
the point of view of McClane, the camera captures Gruber's descent from the top
floor to the ground and it looks so frighteningly real the heart can't help but jump with a reflexive adrenaline rush. In the era of CGI and gimmicky 3D the modern moviegoer is desensitized
to most visual effects. Yet this scene, now more than 20 years old, remains
chilling.
My Rating: 4.5 out of 5
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