Country: U.S.A.
Genre(s): Drama
Director: Terrence
Malick
Cast: Richard Gere
/ Brooke Adams / Sam Shepard
Plot
A love triangle
evolves between a couple of drifters pretending to be brother and sister, and
the landowner on whose farm they work.
What I Liked
*spoiler alert!*
The title isn’t the
only example of biblical imagery in “Days of Heaven.” From the very opening
scene, the film takes through various cycles between Heaven and Hell. That first scene is in a vast, black factory
in which the only light is the glow of molten metal and the fire of
furnaces. Workers walk in a circle all
day long, taking turns throwing coal into those furnaces in a living Sisyphean
nightmare. Thereafter, the setting
quickly changes to the peace of golden fields of grain surrounding a house on
top of a hill, which is comparatively a Heaven.
That the narrator’s description of the events in the Book of Revelations
accompanies our introduction to this locale seems at first nonsensical. However, following the introduction of sin
into that little house on the hill, when this golden world eventually becomes a
locust-infested inferno, suddenly that narration becomes foreshadowing. Ultimately, we are shown that the Heaven we long for and the Hell we fear are to be experienced right here in this life, in this movie.
The battle between
godliness and sin isn’t so much the reason for this film’s importance as is the
way that dichotomy is presented visually by director Terrence Malick and
cinematographer Nestor Almendros. A
master at capturing both the natural majesty and symmetrical beauty of large
landscapes, Malick allows the vastness of nature to dominate both the screen
and the story. Combined with the use of
natural light, both from the sun and from fire, the effect is sheer awe at how
gorgeous this film looks.
The actors, from the leads to supporting cast, do a fine job. All are convincingly natural and bring a needed sympathetic quality to each character in a film where there is no true villain, only human flaws.
What I Didn’t Like
There is nothing to outright
dislike in this movie. It may come up
short in action, but makes up for the fact by steadily building the tension
between its characters until that tension boils over into physical
tragedy. Thus the spare violence is
never really noticed.
I suppose the only
thing I found the film to be truly lacking in is overall meaningfulness. Sadly, as beautiful and well-done as it is, “Days
of Heaven” never had that shaking-my-head, edge-of-the-seat, this-movie-is-amazing
moment the way my absolute favorites do.
Most Memorable Scene
*spoiler alert!*
*spoiler alert!*
Okay, so if that
breakthrough moment never occurs, what is the standout moment of the film? Visually, there are any number of shots that
are worthy of a fine art galleries. But
the most intense altogether moment comes when Sam Shepard’s character unleashes
a fire across his entire farm as his wife and her lover try to escape his
wrath. All of this plays across the
screen in a buzzing, swirling chaos of flame, smoke, and shadows that is
somehow frightening and elegant all at once.
My Rating: 4.5 out of 5
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